I mentioned the Sidewalk Moving Picture Festival in my last post, and since it just happened, I thought I'd blog about it in more depth. This was the 10th year of the festival. The link will take you to the site with descriptions of all the films, but I have quoted it extensively below, as well. It was either the 4th or 5th year I have attended and I didn't volunteer to work like I have the last two years, so I was able to see a LOT of films. It was quite the marathon, though. Lots of walking all over downtown between venues, putting my Z-Coils to the test. We (Laura, Robert, Liz, Jay and I) went to the opening night film, Adventures of Power. It was a fun and funny film about air drumming, not nearly as bad as the local bi-weekly "City" paper, Black & White, made it out to be. Yes, it was ripping off Napoleon Dynamite (and Dodge Ball and most of your Ben Stiller/Will Farrell-type movies) a bit, but it wasn't horrible. It was a little too long, though. That was a complaint I had about most of the feature-length films I saw. Five out of six to be exact.
Then various combinations of the five of us went to movies from 11 AM until 11:30 PM on Saturday. The first was a block of 6 International Shorts:
• The Line | Kent Bassett 2007
• Infinite Justice | Karl Tebbe 2006
• Silly & Serious: William Robinson And Self Portraits | Dennis Tupicoff 2008
• In Between
• A Day's Work | Rajeev Dassani 2008
• My Dad | John Vaughan 2007
Two of these, The Line and A Day's Work, were about bad things that happened to illegal Mexican immigrants and were a little heavy-handed. Infinite Justice was a little (pun-intended) tirade about the Iraq war, made with action figures (who knew there WAS a W action figure?) that was also extremely messagetastic. My Dad was dark, but good. In Between was a Polish film about a guy whose girlfriend was pregnant, but he thought the baby couldn't be his because he was shooting blanks. The best of the lot was Silly & Serious, about the artist William Robinson and all these self-portraits (silly and serious), that he's done.
Laura and I saw Medicine for Melancholy which was billed as "a love story of bikes and one-night stands told through two African-American twenty-somethings dealing with the conundrum of being a minority in a rapidly gentrifying San Francisco." That's pretty accurate. And it was good, though again, too long. And they stuck this in this community meeting about rent control that totally didn't fit the flow of the rest of the film and was obviously supposed to learn us something. This film was preceded by a short called Merrily, Merrily, about a teenager whose parents tell her that she doesn't exist, that they just wanted a kid so bad, they imagined her. Yeah.
Next up, the first zombie movie of the weekend and the one I liked the least. It was WAAAAY too long and just didn't make sense. I know, I know, it's a zombie movie and there has to be a willing suspension of disbelief, but...not that much. The best thing about this movie was the actress who played the zombie in question. From the program: "MAKE-OUT with VIOLENCE is a genre-bending tale of a boy trying to fulfill his unrequited love for a girl who has risen from the dead. Set against the backdrop of a summer of cicadas and swimming pools, the film blends elements of up-beat teenage melodrama with the strange gravity of classic coming of age stories. It tells the story of twin brothers Patrick and Carol Darling, newly graduated from high school and struggling to come to terms with the mysterious disappearance of their friend, the bright and beautiful Wendy Hearst. When a drive through the countryside surrounding their suburban community leads to the discovery of Wendy’s mysteriously animated corpse, the boys secretly transport the undead Wendy to an empty house in hopes of somehow bringing her back to life. As the sweltering summer pushes on, they must maintain the appearance of normalcy for their friends and family as they search for ways to revive the Wendy they once knew, or, failing that, to satisfy their own quests for love amongst the living and the dead."
The first documentary was one of my two favorite films...both of which were documentaries, now that I think of it. Again quoting the program: "We Are Wizards is an intriguing look at the world of Harry Potter mania and the newly emerging Wizard Rock musical genre. The film delves into complicated and often convoluted issues regarding intellectual property, obsessive fandom, inspiration vs. plagiarism, the collision of art and commerce and life in the age of cultural remixing. It becomes a documentary about finding one’s place in a world that often feels as if everything has been done. We Are Wizards is funny, poignant, moving and strangely triumphant. It’s a charming film that proves -- not only through its endearing look at HP fanatics, but also by its very own existence -- that one ingenious creation can indeed produce equally unique and inspiring art." This was hilarious and my only complaint is that it was a little too long and went off into pointless flights of video that had nothing to do with the story they were trying to tell about Harry and the Potters, Draco and the Malfoys, and etc.
After a really nice dinner at John's City Diner (must recreate the mac and cheese w/prosciutto), we saw the second and third (and final) zombie movie. The first of these was Prombies - a hilarious take on the stereotypical 50s prom, and then Dance of the Dead - which had some excellent effects and stunt work. In fact, film was shot in Rome, GA and some of the stunts were coordinated by someone we know in Atlanta, Nils. Both were a lot of fun, but the feature was (say it with me), TOO LONG. I have this complaint about 99% of the wide-release commercial action movies I see, though. There are too many scenes that are devoted to "action;" in this case, killing zombies, and not enough devoted to plot or character development. Favorite line, "We're the Sci-Fi Club."
Liz's friend Michelle got us into the filmmakers party, although we didn't there until 11:30 or so. We stayed for a couple of hours, drinking the free wine, chatting with folks and watching people dance. I saw another "man" wearing manpris. Oh, the horror.
Sunday, we fortified ourselves with a huge breakfast at The Original Pancake House before setting off for the festival. Laura and I saw Goliath, preceded by 3 shorts. Goliath was about a guy in Texas who loses the eponymous cat, is getting a divorce, gets a demotion at work and finds out a sex offender is living in his neighborhood. He has a rough time. The film was uneven - funny at times and poignant,and long in places (the 10 minute scene of signing papers, for example) - but overall it was good and I loved the end. It was shown with 3 shorts in front, all of which were good:
• Trust | Daniel Scheinert 2007 (Office worker takes a team-building group exercise too far. Funny like a good SNL skit)
• Dear Fatty | Hsin-I Tseng 2008 (Just adorable tale of an animated hamster)
• Hot Dog | Bill Plympton 2008 (Funny fire-dog animation)
Pageant was next. My favorite film - the only feature that wasn't too long. It was a documentary about several men competing in the Miss Gay America pageant, which has been going on since 1973! It's a pageant for transvestites, and the best line in the film is, "You don't have to be gay, but it helps." Utterly fascinating and funny. The amount of money spent on costumes and props and sets is amazing, in both quality and quantity.
Raising our social consciousness, we saw The Dhamma Brothers, preceded by the short, Story Time. Both of these were prison documentaries and gripping. The short was about women in state prison who are mothers (70% of the women in Alabama prisons are) and who participate in a program where they pick out stories for their children and tape-record themselves reading the books. It's just so incredible to me that you can go to jail for LIFE for drug possession. The feature film is well described by the Sidewalk site: East meets West in the Deep South. An overcrowded maximum- security prison — the end of the line in Alabama’s correctional system – is forever changed by the influence of an ancient meditation program. Donaldson Correctional Facility, situated in the Alabama countryside southwest of Birmingham, holds 1500 of the state’s most dangerous criminals. Behind high security towers and a double row of barbed wire and electrical fence, dwells a host of convicts who will never see the light of day. But for some of these men, a spark was ignited. In January 2002, Donaldson Correctional Facility became the first maximum security prison in North America to hold an extended Vipassana retreat, an emotionally and physically demanding course of silent meditation lasting 10 days. The Dhamma Brothers tells a dramatic tale of human potential and transformation as it closely follows and documents the stories of 36 prison inmates who enter into this arduous and intensive program. It challenges assumptions about the nature of prisons as places of punishment rather than rehabilitation and raises the question: is it possible for these men, some of whom have committed horrendous crimes, to change?"
Finally, to lighten things up, we saw an encore showing of Skiptracers, most accurately summed up as "Dukes of Hazzard meets CSI." Funny (and a little horrifying), I was tired and wished it was shorter, but glad I saw it. Laura, Robert and I were pretty glassy-eyed and filmed-out by the time we wrapped up the weekend with some Thai food at Surin.
All in all, an excellent year, I thought.







